Quotations
Don Draper: What you call love was invented by guys like me to sell nylons.
Don Draper: Fear stimulates my imagination.
Don Draper: Advertising is based on one thing: Happiness. And you know what happiness is? Happiness is the smell of a new car… It’s freedom from fear. It’s a billboard on the side of the road that screams with reassurance that whatever you’re doing is okay. You are okay.
Don Draper: This is the greatest advertising opportunity since the invention of cereal.
Don Draper: I’m not gonna let a woman speak to me like this.
Joan Holloway: Go home, take a paper bag, cut some eyeholes out of it. Put it over your head, get undressed and look at yourself in the mirror. Really evaluate where your strengths and weaknesses are. And be honest.
Dr. Emerson: Don’t think you have to go out and become the town pump just to get your money’s worth.
1:02 Ladies Room
(The guys have taken Ken’s shirt off when Bert Cooper walks in.)
Don Draper: Brassiere account. Just figured out we can’t sell them to men.
Joan Holloway: That sandwich is making me sad.
Betty Draper: It’s hard to hold onto anything these days.
Peggy Olson: I’m from Bay Ridge. we have manners.
Betty Draper: I don’t know why I’m here. I mean, I do, I’m nervous, I guess. Anxious. I don’t sleep that well. And my hands. They’re fine now, it’s like when you have a problem with your car and you go to a mechanic and it’s not doing it anymore. Not that you’re a mechanic. I guess a lot of people must come here worried about the bomb. Is that true? It’s a common nightmare, people say. I read it in a magazine. My mother always told me that it wasn’t polite to talk about yourself. She passed away recently. I guess I already said that.
Roger Sterling: You know what? I am very comfortable with my mind. Thoughts clean and unclean, loving and… the opposite of that. But I am not a woman. And I think it behooves any man to toss all female troubles into the hands of a stranger.
1:03 Marriage of Figaro
Pete Campbell: Who put the Chinaman in my office?
Peggy Olson: They paid an Oriental family to be in Mr. Campbell’s office.
Don Draper: Someone will finally be working in there.
Roger Sterling (in regard to the Volkswagen ad): Bernbach. He’s a Jew. If I were him, I wouldn’t want to help reindustrialize Germany.
Salvatore Romano: Everybody’s got a price.
Rachel Menken: It’s nice the way you handled that. It’s hard to get caught in a lie.
Don Draper: Well, it wasn’t a lie. It was…ineptitude with insufficient cover.
Harry Crane: “Draper? Who knows anything about that guy? No one’s ever lifted that rock. He could be Batman for all we know.”
Betty Draper (to Don): Everyone’s going to be here soon, why don’t you go up and take a shower?
Francine Hanson: Want company?
1:04 New Amsterdam
Paul Kinsey, about Bob Newhart: It’s not Lenny Bruce.
Harry Crane: This is better. It’s funny.
Don Draper: Sterling Cooper has more failed artists and intellectuals than the Third Reich.
Pete Campbell: You know what? I have good ideas. In fact, I used to carry around a notebook and a pen, just to keep track. Direct marketing? I thought of that. It turned out it already existed, but I arrived at it independently. And then I come to this place, and you people tell me that I’m good with people, which is strange, because I’d never heard that before.
Don Draper: Listen, Pete, I need you to go get a cardboard box. Put your things in it. Okay?
Bert Cooper: New York City is a marvelous machine filled with a mesh of levers and gears and springs, like a fine watch, wound tight. Always ticking.
Don Draper: Sounds more like a bomb.
Bert Cooper: There’s a Pete Campbell at every agency out there.
Don Draper: Well, let’s get one of the other ones.
Don Draper, to Roger Sterling: Maybe I’m not as comfortable being powerless as you are.
Roger Sterling: I bet there were people in the Bible, walking around complaining about kids today.
Don Draper: Kids today, they’ve got no one to look up to. ‘Cause they’re looking up to us.
Betty Draper, telling Dr. Wayne about Glen Bishop: The person taking care of him isn’t giving him what he needs.
1:05 5G
Paul Kinsey to Ken Cosgrove: You’re a writer. You…write.
Midge Daniels: Just get down here. I want you to pull my hair, ravish me, and leave me for dead.
Midge Daniels: You like to come here, acting like somebody else.
Midge Daniels: I like being your medicine.
Don Draper: Okay.
Roger Sterling: I guarantee it—in the bottom drawer of every desk in this place is the first ten pages of a novel.
Don Draper: Five.
Roger Sterling: I’m glad everybody can make it sound like they’re working so hard.
Don Draper to Adam Whitman, his long lost baby brother: I think you’ve mistaken me for someone else.
Don Draper: What happened to her?
Adam Whitman: Mom?
Don: She wasn’t my mother. She never let me forget that.
Adam: She’s gone. Stomach cancer.
Don: Good.
Pete Campbell to Trudy Campbell: You don’t want me to have what I want.
Don Draper: I have a life. And it only goes in one direction. Forward.
Don Draper to Adam Whitman: You thought I was dead. Just go back to thinking
that.
1:06 Babylon
Don Draper: Well, some men like…eyebrows. And all men like Joan Crawford. Salvatore couldn’t stop talking about her.
Don Draper: Mourning is just extended self-pity. In New Guinea, pygmies grind up their ancestors and drink the powder in a beer.
Fred Rumsen (referring to his morning screwdriver): Breakfast without orange juice is a hell of a long day.
Mona Sterling to Joan and Don: Don’t you two make a handsome couple?
Joan Holloway: Honestly? I don’t go for handsome.
Roger Sterling to Joan: Aren’t you even going to have any of this? Look, we’ve got Oysters Rockefeller! Beef Wellington! Napoleons! We leave this lunch alone, it’ll take over Europe.
Joan Holloway (in hotel): I don’t like eating in here. Food that close to the bed reminds me of a hospital.
Don Draper: So, we’ve got a quasi-communist state where women have guns, and it’s filled with Jews.
Peggy Olson: Here’s your basket of kisses.
Peggy: I don’t think anyone wants to be one of a hundred colors in a box.
Fred Rumsen, about Peggy: It was like watching a dog play the piano.
Midge Daniels: I’ll wear a skirt…and nothing else.
Roy: So, what do you do, Don?
Don Draper: I blow up bridges.
Midge: Don’s in advertising.
Roy: No way! Madison Avenue? What a gas!
Midge: We all have to serve somebody.
Roy: Perpetuating the lie. How do you sleep at night?
Don: On a bed made of money.
Beatnik performer:
Last night I dreamed
of making love to Fidel Castro
In a king-sized bed
at the Waldorf Astoria.
Viva la revolucion! he roared
as he vanquished my dress.
Outside the window
Nikita Kruschev watched us
Plucking a chicken.
1:07 Red in the Face
Roger Sterling to Don Draper: From the way you drop your G’s every once in a while, I always thought you were raised on a farm.
Betty Draper to Don Draper: You want to bounce me off the walls? Will that make you feel better?
Betty Draper: As far as I’m concerned, as long as men look at me that way, I’m earning my keep. Then every once in a while I think, no. This is something else. I don’t want my husband to see this.
Francine Hanson: I love to be looked at that way.
Roger Sterling: One minute you’re drinking in a bar and they come and tell you your kid’s been born, the next thing you know they’re heading off to college.
1:08 The Hobo Code
Pete Campbell: Peggy, do you know how hard it is to see you walking around here every day?
Pete Campbell: I wake up in the morning, and I look into Trudy’s eyes, and I think ‘We’re supposed to be one person,’ but whatever I try—all these things going on in my head—she’s just another stranger.
(Don Draper and Bert Cooper discuss Atlas Shrugged.)
Cooper: When you hit forty, you realize that you’ve met or seen every kind of person there is, and I know what kind you are because I believe we are alike.
Don: I assume that’s flattering.
Cooper: By that I mean, you are a productive and reasonable man but in the end completely self interested. It’s strength, we are different; unsentimental about all the people who depend upon our hard work. Take a dollar ninety nine out of that twenty five hundred dollars and buy yourself a copy.
Don: I will.
Lois Sadler to Salvatore: I work in a closet all day, so just to come out and walk around is wonderful.
Pete Campbell to Trudy Campbell, when she stops by unannounced: This is my office, how do you think it looks?
Don Draper: Ken, you’lll realize in your private life that at a certain point seduction is over, and force is actually being requested.
Fred Rumsen: Ah, he’s a kid, he thinks it’s the other way around.
Fred Rumsen to Peggy Olsen: Home run, ballerina.
Fred Rumsen: You may be a writer, honey.
Peggy Olsen: Really?
Fred: You’re arrogant.
Roy Haselit: We’re going to get high and listen to Miles.
Don Draper, asked how he likes smoking pot: I feel like Dorothy, everything just turned to color.
Elliot Lawrence to Salvatore: You’re loud but you’re shy.
Elliot Lawrence: What are you afraid of?
Salvatore Romano: Are you joking?
Dick Whitman: Ain’t you heard? I’m a whore child.
Don Draper to Midge Daniels: Every day I make pictures where people appear to be in love. I know what it looks like.
Don Draper: I hate to break it to you but there is no big lie. There is no system. The universe is indifferent.
1:09 Shoot
Jim Hobart: You know, we got that Israeli tourism thing.
Don Draper: Mazel tov.
Betty Draper: Oh, we ran into this agency head. Apparently he’s courting Don. He gave me his card; asked me if I wanted to do any modeling.
Francine Hanson: Oh, that’s a heck of a line. What did Don say?
Betty: He basically said the man was trying to sleep with one of us and he didn’t like the idea of either.
Jim Hobart: Can you imagine the lifestyle that goes with handling Pan Am? It’s a panty dropper.
Betty Draper, about meeting Don when she modeled a fur: I remember he saw that I didn’t like giving the coat back. That’s always the hardest part.
Betty Draper, about her mother: She wanted me to be beautiful so I could find a man. There’s nothing wrong with that. But then what? Just sit and smoke and let it go ‘til you’re in a box?
Dr. Wayne: You’re angry at your mother.
Betty Draper (turning and glaring at him): You don’t listen to what I say and then out of nowhere you provoke me.
Neighbor to Sally Draper: If I see that dog in my yard again, I’m going to shoot it.
Salvatore Romano, about Jackie Kennedy: “I think women will hate her. It’s like their better looking sister marries a handsome senator and she’s going to live in the White House. I’m practically jealous.
Ken Cosgrove (about Peggy’s weight gain): It’s a tragedy—piece of fruit that went real bad, real fast, and no one ever got to eat it.
Pete Campbell about Secor Laxative: They have no sense of humor about their product.
Betty Draper, about Sally: Did you see those big tears? I really want to get a picture of her crying one day.
Don Draper: If I leave this place one day, it will not be for more advertising.
Roger Sterling: What else is there?
Don: I don’t know, life being lived? I’d like to stop talking about it and get back to it.
Don Draper to Betty Draper: I would have given anything to have a mother like you—beautiful and kind filled with love like an angel.
1:10 Long Weekend
(about Kennedy ad)
Don Draper: It’s light it’s fun, doesn’t cloud the mind with…I don’t know…issues. It’s catchy.
Harry Crane: It’s catchy like it gets in your head and makes you want to blow your brains out.
Pete Campbell: The president is a product, don’t forget that.
Abe Menken: This place reminds me of a Czarist ministry. No matter what the decision, you don’t feel it was yours.
Rachel Menken: Fortunately, I have no idea what you’re talking about.
Joan Holloway: These men, we’re constantly building them up. And for what? Dinner? Jewelry? Who cares!
Mirabelle, about Roger Sterling: Oh my, everything he says means something else too.
Roger Sterling: All these years I thought it would be the ulcer. Did everything they told me. Drank the cream, ate the butter, I get hit with a coronary. Son of a bitch, it hurts.
Roger Sterling: Jesus! I’ve been living the last twenty years like I’m on shore leave. What the hell is that about?
Betty Draper, about her mother’s death: I know people say life goes on, and it does, and no one tells you that’s not a good thing. Why is that?
Don Draper: I remember the first time I was a pallbearer. I’d seen dead bodies before. I must have been fifteen. My aunt. I remember thinking, ‘They’re letting me carry the box, they’re letting me be this close to it, they re not hiding anything from me now.’ And then I looked over and I saw all the old people waiting together by the grave and I remember thinking I, I just moved up a notch.
Don Draper: Jesus, Rachel, this is it. This is all there is, and I feel like it’s slipping through my fingers like a handful of sand. This is it. This is all there is.
Bert Cooper to Joan Holloway: Don’t waste your youth on age.
Roger Sterling to Don Draper, about picking up women: I can use you as bait.
Roger Sterling: Remember Don…when God closes a door, he opens a dress.
Don Draper to Roger Sterling, slapping his face: Mona! Your wife’s name is Mona.
Pete Campbell: Peggy, dear, I think I understand what this is about, but you’re not being professional right now.
Peggy Olson: I cannot believe I am in this conversation.
Pete: You think this is easy for me?
Peggy: I don’t know. I don’t know if you like me, or if you don’t like me. I’m just trying to get along here. And every time I walk by, I wonder if you’re going to be nice to me, or cruel.
Pete: Cruel? What am I supposed to say? I’m married.
Peggy: Yes, I know. And I heard all about how confusing that can be. Maybe you need me to lay on your couch to clear that up for you again.
Pete: That’s some imagination you’ve got. Good thing you’re a writer now. What do you need me for?
Don Draper to Pete Campbell, and then Roger Sterling to Don: The day you sign a client is the day you start losing him.
Don Draper to Rachel Menken: You told me your mother died in childbirth. Mine did too. She was a prostitute. I don’t know what my father paid her but when she died they brought me to him and his wife. And when I was ten years old he died. He was a drunk who got kicked in the face by a horse she buried him and took up with some other man I was raised by those two sorry people.
1:11 Indian Summer
Don Draper: Peggy, will you bring me a glass of ice water? Someone forgot to tell the sun it’s October.
Don Draper. about writing: Just think about it. Deeply. Then forget it. And an idea will…jump up in your face.
Roger Sterling: I feel like I should make a speech…get back to work.
Roger Sterling: I shall be both dog and pony.
Harry Crane, about Roger: He looks like death.
Paul Kinsey: I know. His hair and his skin are the same color.
Francine Hanson, looking at her shirt: Soon the milk stains will meet the sweat stains
Peggy Olson: [Joan is]s a scream, she lives in the city. There’s a bar in Manhattan where the glasses are chilled.
Don Draper to Dr. Wayne: After hundreds of dollars, all you’ve managed to do is make her more unhappy.
Don Draper to Dr. Wayne: You took a woman with a bad case of nerves and you made her weaker, not stronger. I’m afraid to leave her alone.
Don Draper, about the Rejuvenator: From what I understand it provides the pleasure of a man…without the man.
(Pete tells Hildy to let him know when Bert Cooper and Don are finished in Roger’s office.)
Hildy: Sure. I’ll just sit here and watch the door. That’s all I’ll do.
Pete Campbell: Just who the hell do you think you’re talking to?
Don Draper, upon being offered Roger’s job by Bert (in Roger’s office): As a symbolic gesture, I think telling me that in here is in bad taste.
Bert Cooper: That’s the way it works, Roger knows that. I’m not adding your name to the masthead, I’m restoring faith to our clients.
Peggy Olson: Those people in Manhattan? They are better than us. Because they want things they haven’t seen.
Bertram Cooper: Mr. Campbell, who cares?
1:13 The Wheel
Don Draper: Bringing in business is the key to your salary, your status, and your self-worth.
2:01 For Those Who Think Young
Dr. Adams: So, Mr. Draper. You haven’t had a physical in quite some time.
Don Draper: I eat a lot of apples.
Betty Draper: (about Sarah Beth’s daughter, who skips lunch): You should be glad she watches what she eats.
Sarah Beth Carson: That’s the truth, she is slimming down.
Sarah Beth (about Arthur): “We talk about you, and how Gertie has a crush on you.
Betty Draper: She’s a sadist. I’ll see you Saturday?
(Betty gets into the car in her dirty riding boots.)
Sarah Beth: Don’t you hate getting manure in that?
Betty: Little children. What’s the difference?
Dale (about Peggy): I’m telling you, Draper knocked her up. She goes away for a couple o’ months, drops nine pounds eight ounces, comes back with a job.
Paul Kinsey: Don’s been screwing me for the last three years, I’ve got nothing.
Roger Sterling: What happened to the Jewish doctor?
Joan Holloway: He’s not Jewish.
Roger: Not anymore, but he was, trust me. Is he still a doctor?
Joan: You sound like a little girl. What do you care?
Duck Phillips: No one under 25 drinks coffee anymore. Just Pepsi. They pour it on their Frosted Flakes.
Don Draper: There has to be advertising for people who don’t have a sense of humor.
Betty Draper: Did somebody get a lot of Valentines?
Sally Draper: They made everybody give one to everybody else.
Betty: Well, That defeats the purpose.
Roger: Look, Don is (has?) talent. You know how to deal with that, don’t you? Just assume that he knows as much about business as you do, but inside there’s a child who likes getting his way.
Duck: He’s not my first Creative Director. This is about a sales reality, and not personal territory.
Roger Sterling: The last time Freddy Rumsen had a cup of coffee, it was one of five being poured down his throat by a cop.
Don (on being told to hire young people): So what am I supposed to do, dangle a Pepsi out the window and see if I can hook a stroller?
Roger Sterling: Isn’t it possible that the recently weaned have some unique perspective? Joy. Enthusiasm.
Betty Draper (about Juanita): I suppose people get lonely. And it’s Valentines Day. Be Mine for one hundred dollars. How much is it, do you think? I told her I wanted to have hundreds of babies with you.
Betty Draper: I wish you would just tell me what to do.
Joan Holloway: Do we like this in the hallway?
Lois Sadler: I think it looks good now, but I think it will become messy.
Joan: I agree.
Duck Phillips: You know there are other ways to think of things than the way you think of them.
Don Draper: Just so you know, the people who talk that way think that monkeys can do this. And they take all this monkey crap and just stick it in a briefcase completely unaware that their success depends on something more than their shoeshine. You are the product. You feeling something. That’s what sells. Not them. Not sex. They can’t do what we do, and they hate us for it.
Don: I get on a plane, I don’t care where I’m going. I just want to see the city disappearing behind me.
Ken: Let me tell you, Don Draper has a rope coiled under his desk, and it’s looped around Duck’s neck. Duck’s gonna run around, and run around and then one day…? (Ken stomps his foot on the imaginary rope.)
Don Draper (narrating, reading from Frank O’Hara*):
Now I am quietly waiting
for the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
*Excerpt of “Mayakovsky” from Meditations in an Emergency
2:02 Flight 1
Peggy Olson: Eugene, I’m in the persuasion business. And frankly I’m disappointed by your presentation.
Roger Sterling: Can I just fire everyone?
2:03 The Benefactor
Salvatore Romano: You told your wife about this?
Harry Crane: I know. I do that. I keep doing it. I didn’t know what to do.
Salvatore: There’s nothing you can do. That’s why you don’t tell your wife.
2:04 Three Sundays
Don Draper: American Airlines is not about the past any more than America is. Ask not about Cuba. Ask not about the bomb; we’re going to the moon. Throw everything out.
Paul Kinsey: Everything?
Don: There is no such thing as American history, only a frontier. That crash happened to somebody else. It’s not about apologies for what happened. It’s about those seven men in the room on Friday, and what airline they are going to be running.
Salvatore Romano: So what does that mean?
Don: Let’s pretend we know what 1963 looks like.
Bobby Draper: We have to get you a new daddy.
2:05 The New Girl
(Don’s phone rings while Joan is discussing her upcoming wedding.)
Don Draper: Miss Holloway, those aren’t wedding bells!
Rachel Katz (neé Menken) (to Don and Bobbie): Well, you two enjoy working together.
Bobbie Barrett: So, tell me what I want.
Don Draper: Steak tartare.
Bobbie Barrett: If it wasn’t for me it wouldn’t be Grin & Barrett, it’d be Grin & Brownstein.
Don Draper: Laughs.
Bobbie: This is America, pick a job and then become the person that does it.
Don: That’s true.
Bobbie: Right after I met Jimmy, I watched somebody’s Uncle Morty close a deal for him, and I realized, I negotiate for everything: The rent, the plumber, my hairdresser, even did it in a department store once. It’s touchy, because you’re really telling somebody they’re not worth what they think, but you can’t hurt their feelings.
Don: Negotiating is a bore.
Bobbie: It’s hand to hand combat! You don’t like negotiating, what the hell do you like?
Bobbie Barrett: God! I feel so good!
Don Draper: I don’t feel a thing.
Don Draper: No one in the office can know about this, it’s business.
Peggy Olson: You’ll have to believe me that I’ll forget this. I don’t want you treating me badly because I remind you of it. This can be fixed.
Bobbie Barrett (reading a magazine): Oh, Marilyn, the tragedy you live. I’m sure glad I don’t have problems
Peggy Olson: I think most women would love to have her problems.
Bobbie Barrett: I keep forgetting the accident. It was terrible. And it keeps getting stranger.
Peggy Olson: Well, if you’re lucky, it will disappear.
Jane Siegel: I feel like I’m walking in tall cotton.
Katherine Olson: I’m going, but I’m not leaving, Peaches.
Joan Holloway: I’ve always been faithful to whomever I was with, and despite your jokes, I always assumed you were unhappy with Mona, not the whole idea.
Joan Holloway: Your décolletage is distracting. This is an office that hinges on professional decorum.
Bobbie Barrett: You have to start living the life of the person you want to be
Peggy Olson: is that what you did?
Bobbie: You’re never gonna get that corner office until you start treating Don as an equal. And no one will tell you this, but you can’t be a man. Don’t even try. Be a woman. Powerful business when done correctly. Do you understand what I’m saying, dear?
Peggy: I think so.
Peggy Olson: Is that you? Are you really there?
Don Draper: Yes I am.
Peggy: What are you doing here?
Don: You got a promotion and you disappeared.
Don Draper: What’s wrong with you?
Peggy Olson: I don’t know.
Don: What do they want you to do?
Peggy: I don’t know.
Don: Yes you do. Do it. Do whatever they say. Peggy, listen to me. Get out of here and move forward. This never happened. It will shock you how much it never happened.
Peggy: nods
Don Draper: I guess when you try to forget something, you have to forget everything.
Peggy Olson: Thank you, Don.
Jimmy Barrett: You’re a cool cat, Donny.
2:06 Maidenform
2:07 The Gold Violin
2:08 A Night To Remember
2:09 Six Month Leave
Don Draper: It was a real Archibald Whitman maneuver.
Roger Sterling: Who’s that?
Don: S’a hothead drunk I used to know.
Roger Sterling: You know, BBDO hired a colored kid. What do you think of that?
Don Draper: I think I’m glad I’m not that kid.
2:10 The Inheritance
2:11 The Jet Set
Don Draper: Hello, it’s Dick Whitman.
2:12 The Mountain King
Sally Draper: You’re hurting me.
Betty Draper: Good.
Peggy Olson: Let me tell you something, the Catholic Church knows how to sell things.
Bertram Cooper: Dammit, Alice I don’t ask much of you.
Alice Cooper: My stockings cost more than your carpeting.
Alice Cooper: Let Roger Sterling have what he always wanted, to die in the arms of a twenty year-old.
Anna Draper: What happened?
Don Draper/Dick Whitman: He was killed in combat.
Anna: So who are you?
Don/Dick: They thought I was him and he was me. I didn’t think I was hurting anyone.
Anna: Can’t believe it.
Don/Dick: I just had to get out of there..
Anna Draper to Don Draper/Dick Whitman: You like the porch? You paid for it.
Anna Draper: I always felt that we met so that both of our lives could be better. That’s just how it is between us.
Don Draper/Dick Whitman: I ruined everything. My family, my wife, kids.
Anna: I’m sure that’s not true.
Don Draper/Dick Whitman: I have been watching my life. It’s right there. I keep scratching at it, trying to get into it. I can’t.
Anna Draper: Look at you, you’re in the lavender haze.
Don Draper/Dick Whitman: I just like the way she laughs, and the way she looks at me.
Anna Draper: So, there’ll be another Mrs. Draper.
Betty Draper: There’s a difference between wanting and having.
Roger Sterling: You young women are very aggressive.
Peggy Olson: Oh, I didn’t mean to be impolite.
Roger: No, it’s cute. There are thirty men out there who didn’t have the balls to ask me.
Alice Cooper: Where’s Mr. Draper?
Roger Sterling: Do you want me to go get a picture of him so you can stare at it?
Alice Cooper: You have your children to think of.
Roger Sterling: I just have the one.
Alice: Really?
Peggy Olson: How was Mississippi?
Paul Kinsey: I think we made a difference, and it was the adventure of a lifetime.
Harry Crane: Sheila dropped him three days into it.
Betty Draper: Sally now that you’re a big girl, I’m going to tell you something. Your father and I are having a disagreement. And he went away.
Sally Draper: Where did he go?
Betty: I’m not sure.
Sally: When is he coming home?
Betty: I don’t know. I know it’s hard to understand, but I promise everything is going to be okay.
Sally: Okay.
Pete Campbell: How the hell did you swing this?
Peggy Olson: I’m sleeping with Don. It’s really working out.
2:13 Meditations On An Emergency
